Improv auditions vary from show to show but all tend to have some group warm games first to create a supportive environment and then lots of 2-3 people scenes. The number of scenes you get to do depends on the number of applications for the show.<\/p>\n
Auditions mainly focus on improvised two person scenes from suggestion, as that\u2019s the main thing most improv forms have in common. There are sometimes then some larger 3-4 people scenes or games specific to the show. We tend to not do longer formats in an audition, as those are covered in the actual rehearsal for the show.<\/p>\n
When you are on stage with someone at an audition you are not in competition with them. The job of an improviser is to make each other look good, and this is especially true for auditions. The basics of listen, agree, Yes And are the best things to focus on in an audition and what we look for most. So being in competition with your scene partner in an audition is counter-productive.<\/p>\n
Auditions may feel like a competition and they can feel like a difficult atmosphere because of that, but we are looking for improvisers who can see through all that and relax, support others and have a good time. This comes with practice so we recommend taking advantage of as many performing opportunities as possible and going to as many auditions as possible to build up experience.<\/p>\n
If a scene goes great we’re likely to put everyone from that scene into the show. So you aren’t in competition with your scene partner.<\/p>\n
At improv auditions it\u2019s usually best to focus on the basics. Listening, agreement, yes and, who what where, building relationships, building character, scene work. These things done well are always what we look for. Things to avoid are playing overly negative scenes or aggressive characters, as we\u2019re looking for people who can lift the spirits of the room.<\/p>\n
You don\u2019t have to be perfect. The show rehearsal process is where we make the show. So don\u2019t worry about mistakes, just brush them off and get back on stage. In fact being able to laugh at mistakes is actually likely to get you into a team.<\/p>\n
Auditions are also a great way to meet other people who are also interested in performing and many spin off groups have formed from people who initially met at auditions.<\/p>\n
Auditions are a great opportunity to connect with other people in the improv scene who are interested in performing in exactly the same type of show as you and have a similar level experience as you.<\/p>\n
Abbi Jacobson and Ilana Glazer didn’t get into house teams at UCB in New York but they connected and made a web series and went on to make Broad City, which is one of the best comedies to happen in years.<\/p>\n
Your heart goes faster, you want to pace around, you feel a bit fidgety, your eyes open wide. Yes, auditions can make you feel nervous. But notice all those symptoms are also symptoms of excitement. Rebrand your nerves as excitement. They are all signs that you are challenging yourself and doing something you care about. So congratulate yourself on doing something most people would be too scared to even attempt.<\/p>\n
The challenge is then to apply that excitement in the right direction. Mainly into listening and emotionally connecting with the other person you are on stage with.<\/p>\n
Focus on your breathing and relax, and have pleasure in feeling alive and awake.<\/p>\n
At an audition two improvisers were playing explorers in the arctic. They mentioned a yeti frozen in ice. One improviser ran in from off stage and played the yeti frozen in ice. They didn’t get to move or talk in their scene, but that’s what the scene demanded. They got into the show.<\/p>\n
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It\u2019s very rare for someone to make it into a show at their first ever improv audition. The more auditions you do the more you\u2019ll learn and the more likely you are likely to get into a later show.<\/p>\n
Rather than seeing how it goes at just 1 improv audition tell yourself you are going to go to 100 improv auditions over your life, then each one becomes a fun learning experience.<\/p>\n
If you don\u2019t make a show the best thing to do is make the most of all the other performing opportunities out there. Go to jams<\/a>, form your own group<\/a>, perform at our pre-party<\/a> nights and basically just do as much improv on stage as you can. When people apply for shows we have huge respect for people who\u2019ve previously started their own shows or been to lots of jams. We also have space and support for people who have formed their own groups.<\/p>\n We don\u2019t forget people who audition with us. In fact quite the opposite. We have a huge amount of respect for people who put themselves forwards for auditions and keep them on a list for future opportunities.<\/p>\n We also have a huge respect for people who audition for multiple shows. This shows a commitment and will power that we want to work with. We recently offered a place to someone in a show who had just missed out at three previous auditions. When a place in a show opened up she was top of the list.<\/p>\n Going to auditions gets you known as someone who is brave and interested in performing, so even if you don\u2019t get into that particular show it\u2019s still a good way to meet like-minded people.<\/p>\n Blog by Steve Roe, director of Hoopla<\/a>.<\/strong><\/p>\n Hoopla are casting<\/a> for new shows every season and have loads of additional performing opportunities<\/a>.<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":" audition tips How auditions work Improv auditions vary from show to show but all tend to have some group warm games first to create a supportive environment and then lots of 2-3 people scenes. The number of scenes you get to do depends on the number of applications for the show. Auditions mainly focus on[…] <\/p>\nAudition for future shows<\/h3>\n