{"id":1068,"date":"2013-12-23T17:18:00","date_gmt":"2013-12-23T17:18:00","guid":{"rendered":"https:\/\/www.hooplaimpro.com\/2013\/12\/23\/23rd-december-2013-hooplas-improv\/"},"modified":"2018-02-13T15:28:47","modified_gmt":"2018-02-13T15:28:47","slug":"23rd-december-2013-hooplas-improv","status":"publish","type":"post","link":"https:\/\/www.hooplaimpro.com\/23rd-december-2013-hooplas-improv\/.html","title":{"rendered":"23rd December 2013: Hoopla\u2019s Improv Highlights of the Year"},"content":{"rendered":"

It\u2019s been a busy and fun year. So much has happened, I can\u2019t remember it all, but here\u2019s some fond improv memories of 2013. 
\n 
\n
\n Warning! This blog is more sentimental than the end of a Robin Williams movie!
\n 
\n
\n People<\/b><\/u>
\n
\n  
\nThis year especially as we had more
\nand more people involved with what we do. There\u2019s so many, but we\u2019d like
\n to say a special thanks to the following (in random order), without
\nwhom we wouldn\u2019t be doing what we\u2019re doing:
\n 
\n
\n Mike Hutcherson: <\/b>Mike
\n has been at every show we put on, hosting, performing (in Glitch, Mike
\n& Constantine and We Lost Our Puppets and more), doing lights.
\nEverything. Without him The Miller wouldn\u2019t have been running this
\nAutumn. Thank you Mike for everything, your constant advice and for
\ncaring passionately about making things happen, and making things
\nhappen. 
\n 
\n
\n Georgina Bream:<\/b> She\u2019s
\n my fiance, and also pretty much Hoopla\u2019s Creative Consultant. Every
\nidea I have I bounce off her and she\u2019s always so patient and always has
\ntime.
\n
 
\n  <\/b>
\nEdgar Fernando:<\/b> Oh
\n my gosh it\u2019s been so much fun having him back. We started Hoopla
\ntogether but then Edgar wasn\u2019t doing much impro the last few years due
\nto work, but he\u2019s been back this Autumn. Talking to him about impro
\nmakes me realise what\u2019s important, he\u2019s really got it and cuts through
\ncomplication and brings it back to being human in a good mood.
\n 
\n
\n <\/b>Maria Peters:<\/b> For
\n year\u2019s it was just me and Edgar and occasional teachers but this year
\nMaria has joined up as a full teacher, best decision ever! She brings so
\n much joy, enthusiasm, excitement and her students are doing some
\namazing improv. Looking forward to doing more and more with her. 
\n 
\n
\n Max Dickins:<\/b> Max has also joined us a full teacher, running our stand-up
\n courses. He\u2019s been encouraging students to jump into a more honest form
\n of stand up, sharing their lives and stories, and some of them have
\nalready started winning competitions. He\u2019s also been amazing at
\nspreading impro into the workplace, where we\u2019ve been teaching together
\nfor various companies. Like Maria he keeps me going!
\n 
\n
\n Jess Fremont: <\/b>Jess
\n was delivered to us like an impro angel from Canada. I was at The
\nMiller and after the show she marched straight up to me and said \u201cI\u2019m
\nfrom Loose Moose in Canada, I\u2019ve come to run your front of house\u201d. And
\nshe did, really well. She bonds people together, makes everywhere a joy
\nto be, and I really miss our late night McDonald\u2019s planning meetings!
\n 
\n
\n Shawn Collinson: <\/b>Our
\n second impro angel from Canada! Just after Jess left, Shawn arrived as
\nif by magic. He\u2019s been doing amazing things all Autumn, working on our
\nmarketing for shows especially and also some new venues. Long-term
\nthis is going to enable us to do more and more shows and attract a
\nlarger mainstream audience. He\u2019s so patient with my scattiness, and such
\n a cool guy, thank you Shawn!
\n 
\n
\n Patrick Vermillion: <\/b>Our
\n improv angel from New York! Patrick was volunteering with front of
\nhouse all Autumn and also gave us loads of advice on how to run shows,
\nborrowed from the New York improv scene. His tips are coming into play
\nin the New Year, he\u2019s made such a difference. We miss you!
\n 
\n
\n Conor and Constantine:<\/b> They
\n aren\u2019t the same person, but I\u2019ve put them together because they both
\nmake me happy whenever I see them. In addition to performing they\u2019ve
\nalso been volunteering with hosting and front of house and planning and
\nloads of things. 
\n 
\n
\n Jon Monkhouse: <\/b>Earlier
\n on The Miller was a combination of Hoopla and London Improv (run by
\nJon) and his amazing work is still keeping it going today. Thanks also
\nfor Balham lunches, late night snacks and lovely improv chats. 
\n 
\n
\n Sophie Pumphrey:<\/b> We
\n constantly talk about what improv\/life is and what it could be, a
\nconversation that will thankfully never have an end, and this is really
\ninspirational on all our workshops. 
\n 
\n
\n Vanda:<\/b> She\u2019s a constant support to everything we do. If either of us are having an improv meltdown we fix each other. 
\n 
\n
\n Jules Munns:<\/b> Jules
\n does amazing things. The improv scene has become so much more exciting
\nsince he arrived. Teachers and groups coming from across the world to
\nour city, so amazing.
\n 
\n
\n John Cremer:<\/b> John
\n is a constant support and mentor and guru (he hates being called guru)
\nto us. He\u2019s like my original source of improv, and I wouldn\u2019t be doing
\nany of this without him. He introduced me to the whole world! 
\n 
\n
\n Dylan Emery:<\/b> Loads
\n of what we\u2019re doing now comes from advice Dylan gave to me about four
\nyears ago at 3am at The Edinburgh Fringe. He\u2019s got kids, a busy job,
\nhe\u2019s in about four improv groups and somehow he still finds time to help
\n out us and the whole impro scene. 
\n 
\n
\n James Pain at The Miller:<\/b> Yeah!
\n Love this guy. He\u2019s taken a punt on us and given us the weekends at The
\n Miller next year. He\u2019s been supporting us for over three years now,
\nthrough ups and downs.
\n 
\n
\n Silas at The Rag Factory:<\/b> We
\n definitely wouldn\u2019t be doing so much without Silas. He keeps me sane
\nwhen I\u2019ve lost my marbles with his post workshop 10pm outside big life
\nchats. 
\n 
\n
\n Rhiannon, Phil, James, Ben, Abag, Chris Mead and The Music Box gang:<\/b> Whenever I see this lot I\u2019m happy, there\u2019s nothing as fun as stepping on stage with them not knowing what is about to happen. 
\n 
\n
\n Joel Butler:<\/b> One of the original Hoopla performers, and great to have him back after a few years away. 
\n 
\n
\n Everyone who\u2019s performed at our nights:<\/b> So
\n many great groups this year and so many new improvisers mixing with
\ncurrent improvisers, such exciting times. Thanks everyone who has been
\ndoing so much. 
\n 
\n
\n Everyone who has been to a workshop: <\/b>It\u2019s
\n so great to be able to spend a whole year laughing, thanks to everyone
\nfor jumping in and improvising, so many people for the first time ever. 
\n 
\n
\n Everyone who has been to a show:<\/b> The sound of a room full of people laughing is a dream come true.
\n
\n Basically at the exact point I
\nsometimes feel like giving up and doing something else someone appears
\nand peps me up and makes improv worthwhile all over again. I constantly
\nrediscover the joy of improv on a weekly basis, and always due to the
\npeople involved.
\n
\n There are so many people to thank for an amazing year, way more than I had space to list above, thank you everyone!
\n 
\n
\n Events<\/b><\/u>
\n <\/b><\/u>
\n
\n There\u2019s been so many things this year, here\u2019s just a selection of what I can remember:
\n 
\n
\n IO Week:<\/b> Thanks
\n to Rob and Jules for making this happen. I was lucky enough to be
\ntaught by Charna Halpern the founder of IO in Chicago and it was a real
\njoy. It taught me the true power of Agreement in improv. There\u2019s more
\nabout that on our previous blog<\/a>. 
\n 
\n
\n The Mayday\u2019s Residential Improv Festival at Osho Leela: <\/b>This
\n was one of the biggest highlights to me. It was actually a life
\nchanging experience. It’s hard to put it into words, as it was more an
\nexperience of emotions and feelings that words on a blog don’t do
\njustice. I think for the first time in my life I experienced what real
\ncommunity is, and also what a powerful and good thing it can be. If I
\nhad the choice between Edinburgh Fringe and Osho Leela I’d now go for
\nOsho Leela every time, and hope to go again next year. 
\n 
\n
\n Edinburgh Improv Buzz:<\/b> I
\n couldn\u2019t make it to Edinburgh this year but I enjoyed picking up the
\nbuzz on so many improv groups doing so well again, and such a variety
\ntoo. Short-form, long-form, narrative, musicals, Edinburgh had it all going on. 
\n 
\n
\n End of Course Shows: <\/b>I
\n love every single end of course show that we put on. The stakes are so
\nhigh, people are nervous (including me), the audience are new to improv.
\n Every single show features a level of excitement, joyfullness and
\nplayfullness that makes me fall in love with improv all over again. 
\n 
\n
\n Annoyance, UCB, Montreal Improv Weekends and more:<\/b> There
\n were loads of improv teachers coming over from North America and
\nEurope, London is so exciting at the moment because we get to learn from
\n everyone from across the globe. 
\n 
\n
\n Slapdash Festival: <\/b>This
\n was a great one, thanks to Jules for putting it all together. Before
\nour show (Music Box) I had the worse performance anxiety ever, so much
\nso I had to sit with my head in my hands in a coffee shop for an hour.
\nBut the second I walked back stage and saw Andrew Gentilli and the rest
\nof the Music Box cast I was in a good mood again. 
\n 
\n
\n UK Border Patrol: <\/b>This was an end of course show from our long-form course that seems to have gone down in legend. One of those shows where it just clicks and everything comes together. 
\n 
\n
\n The Round Table Crash Pad: <\/b>We
\n went back to The Round Table for one night and there was an eventful
\nshow with Bob falling out of a window and a story set on the Love Star
\nbeing performed entirely in flashback mode. 
\n 
\n
\n All New Shows: <\/b>There
\n have been so many new shows and groups forming this year, the improv
\nscene feels like a living a breathing organism now and it\u2019s growing up
\nquick. It\u2019s alive!!!!!!
\n 
\n
\n Beginners:<\/b> It\u2019s
\n been a pleasure this year to introduce so many people to the joy of
\nimprov, well done for jumping into it. I never ever tire of introducing
\npeople to listening, yes and, spontaneity and having fun with games. 
\n 
\n
\n Epic Crash Pads:<\/b> Many
\n of these are totally bonkers. 15 groups performing in one night in a
\nsmall sweaty room above a pub. It\u2019s Peter Brook\u2019s Rough Theatre at it\u2019s
\nfinest and it\u2019s producing new theatre and seeds of ideas. What\u2019s great
\nabout the Crash Pads is that now when show ideas happen they get done
\nwithout hesitation. 
\n 
\n
\n Breaking and Entering cracking it: <\/b>Maria
\n and Lauren performed together, went to Chicago together and then
\nperformed Breaking and Entering together. At their last show the
\naudience made the sound of an audience recognising a group who had
\n\u2018cracked it\u2019, they\u2019ve got their thing. Fun, joy, characters, truth,
\ngame, play, laughs, emotion, their show has it got it all going on in
\nevery single scene. 
\n 
\n
\n Rap Workshop: <\/b>This
\n made Edgar happy, he said this is what Hoopla is all about. I was
\nteaching an emotionally real naturalistic Meisner for Improv workshop
\nupstairs while Dave Waller taught  freestyle rap downstairs. I agree,
\nthat\u2019s what it\u2019s all about. 
\n 
\n
\n Weekend classes at 3:30pm:<\/b> The
\n best improv I see is usually at 3:30pm on one of our weekend classes
\nwhere a group have warmed up together, played together and suddenly they
\n are there in the magic zone. 
\n 
\n
\n Saturday Night Improv: <\/b>We
\n experimented with putting on shows on Saturday nights. They went down
\nwell. They went down so well that The Miller offered us every weekend
\nfor the whole of 2014. Nice one. 
\n 
\n
\n Last Night\u2019s Improv Jam: <\/b>This
\n was so much fun! I wasn\u2019t sure if people would be up for a late night
\nimpro jam starting at 10pm, but actually it was our busiest one yet. A
\nmix of people who\u2019d never been on stage of people and experienced
\nimprovisers playing together. It opens the doors to more late night
\nshows next year, which is great. 
\n 
\n
\n Music Box Last Show:<\/b> I
\n loved performing with Music Box so much. It\u2019s the most fun show to
\nperform in, exhilarating. You step on stage and into a made up world for
\n 45 minutes, you can go anywhere in time and space, the cast of Music
\nBox make improv fun. 
\n 
\n
\n ImproFest UK: <\/b>This was very exciting and the festival really nailed the marketing this year so it was great to perform to full houses. 
\n 
\n
\n God, Jesus and the Devil surfing with a Vicar:<\/b> I don\u2019t usually remember scenes but this was a fun one. 
\n 
\n
\n Airplanes and Tube Trains:<\/b> This was from a long-form
\n groups end of course shows. We spent ages in the course learning about
\nedits and tags, but in the show they decided not to use them in a piece
\nand instead set a whole 15 minute scene on one row of an airplane. It
\nwas awesome. So amazing that the next show they set a whole 15 minute
\nscene on one row of a tube train. I thought it was the best scene I\u2019ve
\nseen all year, a true ensemble working together like magic. 
\n 
\n
\n Monday Night Drop Ins: <\/b>I
\n miss these so much! 20 people laughing together in a weird room at The
\nRag Factory while it rains outside on a Monday night. We had to stop
\nthem as they got too busy, but they\u2019ll be back in a different form in
\nthe New Year. They had the most intense atmopshere out of everything we
\ndo. 
\n 
\n
\n Countless nights in The Princess Alice:<\/b> Pint of Doom Bar please. I still owe Fraser a pint of Guiness.
\n 
\n
\n Meeting Susan Messing in the pub:<\/b> I
\n couldn\u2019t make the Susan Messing workshop but accidentally met her at a
\npub near Brick Lane. A random place to meet an improv legend, and she
\nfitted right in. <\/p>\n

People coming back from America with new stuff:<\/b> London
\n is absorbing influences from all over the place now and it\u2019s great.
\nWhat is the London improv style? It\u2019s a melting pot, it\u2019s whatever you
\nwant it to be. 
\n 
\n
\n Mark Beltzman workshops in the snow: <\/b>The
\n year started with me trudging through Kings Cross snow to do workshops
\nwith Mark Beltzman, such a positive guy and put me in a good mood for
\nthe rest of the year. What he taught is what I\u2019m most likely to refer to
\n when performing: talk to each other about each other. <\/p>\n

Thanks again to everyone for making it such a fun year!!!
\n
\n Merry Christmas everyone!
\n
\n Steve,
\n
\n Hoopla
\n <\/p>\n","protected":false},"excerpt":{"rendered":"

It\u2019s been a busy and fun year. So much has happened, I can\u2019t remember it all, but here\u2019s some fond improv memories of 2013.    Warning! This blog is more sentimental than the end of a Robin Williams movie!   People   This year especially as we had more and more people involved with what[…] <\/p>\n

Read More<\/span><\/i><\/a><\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"inline_featured_image":false,"footnotes":""},"categories":[1],"tags":[],"class_list":["post-1068","post","type-post","status-publish","format-standard","hentry","category-blog"],"acf":[],"yoast_head":"\n23rd December 2013: Hoopla\u2019s Improv Highlights of the Year | Hoopla<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.hooplaimpro.com\/23rd-december-2013-hooplas-improv\/.html\" \/>\n<meta property=\"og:locale\" content=\"en_GB\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"23rd December 2013: Hoopla\u2019s Improv Highlights of the Year | Hoopla\" \/>\n<meta property=\"og:description\" content=\"It\u2019s been a busy and fun year. 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So much has happened, I can\u2019t remember it all, but here\u2019s some fond improv memories of 2013.    Warning! 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